Rodeo
History
Rodeo
is a traditional sport from Mexico that has been adopted
in North America. The word is from Spanish and literally
means "I surround."
Rodeo
often conjures up images of dusty cowboys scrounging up
a living in out-of the-way arenas, but in fact, modern
professional rodeo is a very different sport. It’s
long season peaks on the July 4th weekend, but concludes
with the world’s richest rodeo, the Professional
Rodeo Cowboys Association (PRCA) Wrangler National Finals
Rodeo (NFR) in Las Vegas, Nevada in December.
Early
History of Rodeo
Rodeo continues to stress its western folk hero image and its being a genuinely
American creation. But in fact it grew out of the far older Mexican “Charreada,” a
mixture of cattle wrangling and bull fighting that dates back to the sixteenth-century
conquistadors, among whom one manner of fighting bulls was to attempt to ride
them to death. This is the origin of rodeo bull riding, something which has
baffled historians since they began writing about the sport. Barrel racing,
the major modern women’s rodeo event, is the only standard rodeo contest
that cannot be traced back to the Mexican “Charreada”.
As barrel
racing and bull riding clearly show, rodeo did not, as
so many historians have insisted, grow out of the daily
work of Anglo ranch hands. Another contest that has nothing
to do with ranch work is steer wrestling or bulldogging.
However, “charros” did have a steer wrestling
event. Their very popular contest involved wrestling the
steer to the ground by riding up behind it, grabbing its
tail, and twisting it to the ground. The event spread throughout
the Kingdom of New Spain and was found at fairgrounds,
racetracks, fiestas, and festivals in nineteenth century
southwestern areas that now comprise the United States.
However, unlike the roping, riding, and racing, this charro
contest never attracted a following among Anglo cowboys
or audiences.
There
would probably be no steer wrestling at all in American
rodeo were it not for a black cowboy from Texas named Bill
Pickett who devised his own unique method of bulldogging
steers. He jumped from his horse to a steer’s back,
bit its lip, and threw it to the ground by twisting its
horns. He performed at local central Texas fairs and rodeos
and was discovered by an agent, who signed him on a tour
of the West with his brothers. He received sensational
national publicity with his bulldogging exhibition at the
1904 Cheyenne Frontier Days. This brought him a contract
with the famous 101 Ranch Wild West, where he spent many
years performing in the United States and abroad.
Pickett
attracted many imitators who appeared a rodeos and Wild
West shows, and soon there were enough practitioners for
promoters to stage contests.The first woman bulldogger
appeared in 1913, when the great champion trick and bronc
rider and racer Tillie Baldwin exhibited the feat. However,
women's bulldogging contests never materialized. But cowboys
did take up the sport with enthusiasm but without the lip-biting,
and when rodeo rules were codified, steer wrestling was
among the standard contests. As for Bill Pickett, two Halls
of Fame recognize him as the sole inventor of bulldogging,
the only rodeo event which can be attributed to a single
individual.
Rodeo
itself evolved after the Texas Revolution and the US-Mexican
War when Anglo cowboys learned the skills, attire, vocabulary,
and sports of the “vaqueros.” Ranch-versus-ranch
contests gradually sprang up, as bronc riding, bull riding,
and roping contests appeared at race tracks, fairgrounds,
and festivals of all kinds. William F. Cody (Buffalo Bill)
created the first major rodeo and the first Wild West show
in North Platte, Nebraska in 1882. Following this successful
endeavor, Cody organized his touring Wild West show, leaving
other entrepreneurs to create what became professional
rodeo.
Rodeos
and Wild West shows enjoyed a parallel existence, employing
many of the same stars, while capitalizing the continuing
allure of the mythic West. Women joined the Wild West and
contest rodeo circuits in the 1890s and their participation
grew as the activities spread geographically. Rodeo enjoyed
enormous popularity in New York, Chicago, Boston, and Philadelphia,
as well as in London, Europe, Cuba, South America, and
the Far East in the 1920s and 1930s.[8] Today, none of
those venues is viable. Despite numerous tours abroad before
World War II, rodeo is really significant only in North
America. While it does exist in Australia and New Zealand,
top athletes from those countries come to America to seek
their fortunes. Some Latin American countries have contests
called rodeos but these have none of the events found in
the North American version.
Rodeo
After World War I
World War I nearly killed rodeo, but three men and two organizations brought
it back to greater prominence, not in the West where it was born, but in the
big cities of the East. Tex Austin created the Madison Square Garden Rodeo
in 1922. It immediately became the premier event. Overshadowing Cheyenne Frontier
Days, its winners were thereafter recognized as the unofficial worlds champions.
In 1924, Austin produced the London Rodeo at Wembley Stadium, universally acknowledged
as the most successful international contest in rodeo history. However, despite
his triumphs, Austin lost control of the Madison Square Garden contest, and
his influence dwindled. A Texan, Col. William T. Johnson, took over the Garden
rodeo. He soon began producing rodeos in other eastern indoor arenas, which
forever changed the nature of the sport. There was no room indoors for races,
and time constraints limited the number of events that could be included. Rodeos
no longer lasted all day as they did under the western sky.
In 1929
two events occurred which split rodeo down the geographic
middle: champion cowgirl Bonnie McCarroll died in a bronc
riding accident at Pendleton, Oregon. Her death caused
many western rodeos to drop women’s contests That
same year, western rodeo producers formed the Rodeo Association
of America (RAA) in an attempt to bring order to the chaotic
sport, and refused to sanction any women’s contests.
Eastern producers aligned themselves with Col. Johnson
who ignored the RAA, and continued include lucrative cowgirl
contests at their rodeos.
However,
the cowboys hated Col Johnson, whom they felt distributed
prize money unfairly, and mostly to himself. In 1936, they
went on strike at his Boston Garden rodeo, demanding a
bigger share of the gate as prize money. Garden management
finally forced Johnson to relent, and the jubilant cowboys
formed the Cowboys Turtle Association (CTA), which is now
the powerful PRCA. A defeated Johnson sold his company
and retired, never again to be seen or heard from in the
rodeo business. Like the RAA, the CTA allowed women no
part in running their organization or participating in
their contests. While these actions were unfolding on the
big-time circuit, a little-known rodeo Stamford, Texas,
set off a series of events that would change history.
In 1931,
promoters of the Stamford Cowboy Reunion invited all local
ranches to send a young woman at least sixteen years old
to compete in a contest designed to add femininity to the
all-male rodeo. Since the ranches sponsored the women it
was called a Sponsor Contest, and the name stuck! The women
were judged on who had the best horse, the most attractive
outfit, and on horsemanship as they rode a cloverleaf pattern
around three barrels! Obviously, judging was strictly objective.
Nonetheless, the contest was a huge success, and was widely
copied.
In 1939,
Johnson’s replacement at Madison Square Garden, Everett
Colburn, invited a group of Texas Sponsor Girls to appear
at his rodeo as a publicity stunt. Although vilified by
the press, the women did generate enough publicity to cause
a second group of lovelies to be invited the next year.
The 1940 rodeo featured Hollywood singing Cowboy Gene Autry,
and the women rode while he sang, “Home on the Range.” It
was a tradition that continued for decades. Soon thereafter,
Autry formed a rodeo company and took over not only Madison
Square Garden, but also Boston Garden and most of the other
major rodeos from coast-to-coast. One of his first actions
was to discontinue the cowgirl bronc riding contest, which
had been a highlight of the Madison Square Garden Rodeo
since its inception in 1922. There was nothing left for
cowgirls but the invitation-only sponsor girl event.
While
a few really gifted athletes, who are now honored by the
Cowgirl Hall of Fame, did participate, most of the women
were attractive daughters of wealthy and influential ranchers.
According to one Hall of Fame honoree who was a Madison
Square Garden Sponsor Girl, several of the women could
barely ride. Exactly how they were chosen remains a mystery
to this day. What is certain is that thanks to Gene Autry,
real cowgirl contests disappeared from rodeos nation wide.
Also certain is that sponsor contests are the genesis of
barrel racing, which is today the premier women’s
rodeo event. However, Autry’s influence was hardly
limited to women.
His popularity
was such that producers nationwide found they could no
longer attract a crowd without a western singer to headline
their rodeos. Still today, rodeo is the only professional
sport in which the athletes are not the featured performers!
Autry is also credited with keeping the sport alive during
World War II, thanks to his business acumen, and the heavily
patriotic themes that permeated his productions.
Rodeo after World War II
Following the War, a merged CTA and RAA became the PRCA, and took complete
control of the sport. Men like Austin, Johnson, and Autry could no longer wield
the power they previously maintained. Consequently, the Madison Square Garden
rodeo lost its luster, and the PRCA established the NFR, to determine for the
next half century who were the true worlds champion cowboys. However, the PRCA
benefited primarily white males, as the diverse groups who had once competed
in rodeo were largely absent from the arena.
Native,
Americans now have their own rodeo organization, and have
shown little interest in PRCA activities. Records give
no indication of institutional racism on the part of the
PRCA, although anecdotal evidence suggests that individual
rodeo committees sometimes did discriminate against and
African Americans and Hispanics in the fifties and sixties.
Moreover, black and Hispanic cowboys have won the PRCA
worlds championships, with Leo Camarillo taking the team
roping title five times, and earning fifteen consecutive
trips to the NFR.
Women
realized it would be up to them to get back into the mainstream
of the sport. Two Texas cowgirls, Nancy Binford and Thena
Mae Farr, in 1947 staged an All-Girl Rodeo at the Tri-State
Fair in Amarillo, Texas. Their event was a record-breaking
and media success. The following year, many of the participants
met to form what is now the WPRA. The organization aimed
to provide women the opportunity to compete in legitimate,
sanctioned contests at PRCA rodeos and in rough stock and
roping events at all-girl rodeos.
All-girl
rodeos had their heyday in the fifties, when Binford and
Farr formed a company and produced successful contests
from Colorado to Mississippi. However, prize money from
all-girl rodeos never provided participants with enough
money to meet expenses. Another drawback was that contestants
who restricted their participation to all-girl rodeos had
no opportunity to meet the cowboys that cowgirls traditionally
married. Though the contests continued to flourish under
the leadership of Binford and Farr, when those women retired,
all-girl rodeos diminished becoming a minor part of the
WPRA.
On the
other hand, the WPRA was highly successful in restoring
cowgirl contests to PRCA rodeos. Barrel racing was the
most popular WPRA contest and it spread rapidly throughout
the country. In 1955, PRCA president Bill Linderman and
WPRA president Jackie Worthington signed an historic agreement
that remained in effect for half a century. It urged the
inclusion of WPRA barrel racing at PRCA rodeos, and required
that women’s events at PRCA rodeos conform to WPRA
rules and regulations. When the NFR began four years later,
the WPRA began campaigning to have their barrel racing
championship included. With the help of the Oklahoma City
NFR sponsors, who believed the popular event would increase
attendance, they finally succeeded in 1967.
Although
the barrel race was in the NFR, cowgirls’ prize money
was far below that of cowboys. Following the passage of
Title IX and the subsequent gender equity movement, the
WPRA in 1980 sent an ultimatum to 650 rodeo committees
nationwide that if prizes were not equal by 1985, the WPRA
would not participate. There was almost universal compliance,
and women’s winnings more than doubled by 1990. But
the NFR refused to comply. They insisted the women were
guests of the PRCA. Not wishing to be shut out of this
important event, the WPRA obtained corporate sponsors to
increase the NFR purse into compliance. Still, the prize
inequity angered the women, who continued to press for
better treatment. The same was true of team ropers, whose
already measly purse had to be split between the two team
members. At the 1997 NFR, cowboys and cowgirls led by team
roper Matt Tyler threatened to strike unless they received
equal prize money. This cooperative effort resulted in
successful negotiations. Since 1998, the NFR has paid equal
money to all participants. The additional funding comes
from the sale of special luxury seats.
Rodeo. (2007, February 21). In Wikipedia,
The Free Encyclopedia. Retrieved 05:41, February 25, 2007,
from http://en.wikipedia.org/w/index.php?title=Rodeo&oldid=109909009
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